The Chicago style is one of the commonly used citation formats in music, especially musicology and music theory. The information here is based on the 18th edition of the Chicago Manual of Style (CMOS18) published in 2024. |
There are two systems in the Chicago style, both requiring in-text citations and a reference list / bibliography.
(1) Author-Date
(2) Notes and Bibliography
An in-text citation is the reference provided within the body of the text.
(1) In the Author-Date system, it comprises:
Examples:
Performing with George Szell could be both exhilarating and terrifying (Fleisher and Midgett 2023, 105).
As Fleisher and Midgett (2023, 105) state, "Playing the piano is a joy, but it can also be a sheer terror."
(2) In the Notes and Bibliography system, the in-text citation is similar to the entry in the bibliography. When the source is cited again, use a shortened citation.
Example:
Performing with George Szell could be both exhilarating and terrifying.1 ... As Fleisher and Midgett state, "playing the piano is a joy, but it can also be a sheer terror."2
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1. Leon Fleisher and Anne Midgette, My Nine Lives: A Memoir of Many Careers in Music, 2nd ed. (Doubleday, 2023), 105.
2. Fleisher and Midgette, My Nine Lives, 105.
A Reference List / Bibliography is a list of sources cited in the document. It is placed at the end of the paper. The format of a reference list entry is slightly different between the two systems.
(1) Author-Date
(2) Notes and Bibliography
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